| Date: | 1918-20 |
| For: | Piano |
| Published by: | Zimmermann 1923 |
| Availability: | Zimmermann (1923, sep); Moscow: Muzyka (1959/2000); Zimmermann (2005, ed. Flamm); Dover (nos. 4 & 5, 1959/1998), out of print |
complete
Malinina 1976/7
#1,2 Melodiya C10-26001/2 #3-5 C10-26003/4
Wild 1988
Chesky AD001, Ivory Classics 75003
Milne 1998
CRD (vol.6) CRD3509
Tozer 1998
Chandos (vol.6) CHAN9692, CHAN9723 4cds
Hamelin 1998
Hyperion CDA67221/4, CDA67578
Mejoueva 1999
Denon (vol.2) COCO-70811, COCQ-83385
Bekhterev 1999
Phoenix USA PHCD99507
Ossipova 2001
Arte Nova ANO931210
Filonova 2004
Ar Re-Se AR20059
Derzhavina 2008
Phoenix Edition 156
no. 1
Vlaeva 2007
Music & Arts MACD1224
nos. 1, 2
D Graham 1978
Musical Heritage Society MHS3976
nos. 1, 3
Milne 1977
CRD1038/9
Brilliant Classics 8851 7cds, CRD (vol.1) CRD3338
nos. 2, 3
Malinina c.1955
Melodiya 029558/9
no. 3
Grinberg 1948
Denon COCQ-83980, COCO-80471 - nla
Mejoueva 1998
Denon (vol.1) COCO-70756, COCQ-83112 - nla
Hamelin 1998/Husum*
Danacord DACOCD519
nos. 3–5
Medtner 1947
#4,5 HMV DB6905/6
#5 Melodiya M10-41169
Appian (vol.3) APR5548, #4,5 St-Laurent YSL 78-004
Kawakami c.2000
Momonga MRCP-1001
no. 4 Canzona matinata
Medtner 1931
Appian (vol.1) APR5546
nos. 4, 5
Viardo 1990/1
Nonesuch 7559-79283-2
Demidenko 1992
Helios CDH55315, Hyperion CDA66636 - nla
Zilberstein 1992
DG 437 805-2GH - nla
Mejoueva 2002/Niigata*
Wakabayashi WKLC-7003/4 2cds
Eckardstein 2007
MDG 604 1465-2
Zassimova 2009
Bella Musica/Antes Edition BM31.9249
no. 5 Sonata tragica
Ponti 1974
Vox/Candide CE31092
Clegg 1976
Alpha DB244
Ponti 1988/Newport*
Newport Classic 60088-2 - nla
Fellegi 1990
Marco Polo 8223372
Madge 1991
BIS BISCD1258, Danacord DACOCD402 - nla
Hanselmann 1993
Prezioso (vol.1) CD800.014
Drost 2000
Cavalli CCD123
Corio 2001
Matteo Corio/CDbaby
Eckardstein 2007/Miami*
VAI 4441
Medtner gave instructions that no.4 Canzona matinata and no.5 Sonata tragica are to be performed as a pair.
There are many additional markings in the 1959 edition of nos. 3-5, which Medtner probably played regularly as he recorded them in 1947. Generally the markings add additional detail, but in a couple of places the dynamic scheme is changed, e.g. the original edition has a crescendo through the 3rd and 4th bars from the end of the exposition that is absent in the 1959 edition; there is another change in the coda. On the whole, the changes are of less consequence than those in some of the earlier works. Flamm's new Zimmermann edition indicates all textual variations.