| Date: | 1930s-51 |
| For: | Voice (Medium high) and piano |
| Published by: | Belaieff 1954 (except Midday, Schirmer 1946) |
| Availability: | Peters (except Midday) |
no. 1
Ivanilova sop/Derzhavina 2005/Moscow*
Vista Vera VVCD-00209
nos. 1, 2
Vitale mez/Baur 2001
Real Sound RS051-0038
no. 2
Del Grande bar/Mishakov
Ecudo 4016
no. 6
Del Grande bar/Pleshakov 1971
Orion ORS7157†
Andrew sop/Tozer 1993
Chandos CHAN9327, listed as Op.59 no.1
nos. 6, 7
Savenko bbar/Yampolsky 1995
Triton DICC-26049 - nla
Savenko bbar/Berezovsky 2007/Moscow*
Vista Vera VVCD-00209
no. 8
Pluzhnikov ten/Shafran 1985
Melodiya C10-23791/2
† Omitted from the BIRS discography
Makushina/Medtner made an unpublished recording of no.6 Midday for HMV in 1947
Midday (or Noon) was originally published in a Medtner song anthology as Op.59 no.1. Subsequently Medtner used this opus for the Two Elegies. The 1959 Collected Edition inserted this song into Op.61, causing a change in numbering of the last three songs. Op.61 no.3 was provisionally numbered Op.59 no.2 and appears as such in Drinker's English texts, but was published for the first time in Op.61.
According to Barrie Martyn's biography, nos. 3 and 6 were composed in the 1930s (premiered 1936), nos. 1 and 2 completed in 1945, and nos. 5 and 8 completed in 1951.